Banca de DEFESA: CAROLINE DIAMANTE PINHEIRO

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : CAROLINE DIAMANTE PINHEIRO
DATA : 27/02/2020
HORA: 14:30
LOCAL: Sala 331 - CEFET-MG/Campus I
TÍTULO:

Video clips appropriations in Latin America: how aesthetic, political and social gender issues permeate the language of the video clips Na Pele, So Yo and Deathless.


PALAVRAS-CHAVES:

video clip in Latin America, feminine bodies, contemporary digital language.


PÁGINAS: 103
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
RESUMO:

The video clip has extrapolated its music marketing function and has been used by artists and bands as a space for the circulation of minority discourses, in addition to being perceived as an environment conducive to aesthetic experimentation. Having these understandings about the video clip, this study verifies how social-political and gender issues can be perceived in the video clips Soy Yo, from the band Bomba Estéreo (Colombia), Na Pele, from the singers Elza Soares and Pitty (Brazil) and Deathless of the Ibeyi (Franco-Cuban) duo. The three works have as points of convergence the fact that they use women as protagonists, that they have singers / members of Latin American origin and that they transform private or collective experiences into a video clip language, in addition to the three clips having debuted in the same time (between 2016 and 2017). Thus, it became necessary to address, according to the needs of each video clip, the representation of Latin American women in audiovisual productions, as well as the role of music and video in Latino imaginary, especially migrants. This approach, made possible by the contribution of Professor María Elena Cepeda's studies. We also reviewed the history of feminism, told by Professor Constância Lima Duarte, as well as current statistics related to the condition of women. Ivana Bentes also made a crucial contribution in pointing out the use of the video clip as a reference for political debate, giving voice to minorities. Concepts such as testimony, memory, remembrance, used from the perspective of the philosopher Paul Ricœur and Jeanne Marie Gagnebin; archiving, from the historian Philippe Artières, as well as concepts by Gilles Deleuze, Félix Guatarri, and David Lapoujade and the sensitivity of Didi-Huberman, Frédéric Gros, Magda Guadalupe dos Santos and Simone de Beavouir gave this study important contributions that made it possible to reflect on the language of the video clip as a form of resistance. Language, thought of as a possibility of interior projection and perception of the other, according to the perceptions of Ana Kiffer and Jacques Rancière, were also taken into consideration, as well as the differences in the language of the video clips in relation to the cinematic language pointed out by Phillippe Dubois and Arlindo Machado. Thus, the urgencies of each video clip in the body of this dissertation, in addition to the actions of resistance and empowerment, are strongly present, regardless of whether the clips have an approximation with elements of cinema or if they take advantage of the possibilities of digital and prioritize aesthetic experimentation.


MEMBROS DA BANCA:
Interno - LUIZ CARLOS GONCALVES LOPES
Externa ao Programa - MARIA DO ROSARIO ALVES PEREIRA
Presidente - MIRIAN SOUSA ALVES
Interno - RONIERE SILVA MENEZES
Notícia cadastrada em: 20/02/2020 12:41
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