Banca de DEFESA: ISA MARIA MARQUES DE OLIVEIRA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : ISA MARIA MARQUES DE OLIVEIRA
DATE: 18/08/2022
TIME: 15:00
LOCAL: RNP VIRTUAL
TITLE:

Edición de cómics en Brasil: procesos y editores

KEY WORDS:

Comic Books, Editors, Editorial Processes, Editing

PAGES: 150
BIG AREA: Lingüística, Letras e Artes
AREA: Letras
SUMMARY:

The proposed research has as its theme to situate the editor's place in the comic book editing process in Brazil. Its goal is to identify this professional and how they are inserted in the production of a comic in different publishers, which I have preliminarily subdivided into two types: those that publish national comics and independent self-published. The editors' cut prevailed for those who work in Brazilian publishing houses. Objectively, I contextualized the history of comic book publishers in Brazil up to the year 2000 and did a survey of the existing ones in activity after that year. Through a cataloging, I located the current scene of the comics market; I discussed the profile of the main figures around the production of a book (author and editor) to understand the insertion of comics in this format. Lastly, I analyzed the profile of the editor and their role within the editorial processes. Analyzing the editing processes is, above all, knowing the role of the editor, who defines the direction of a publication. With this in mind, I chose national publishers that have great prominence in the market with productions of graphic novels. Sidney Gusman, from Mauricio de Sousa Produções; Daniel Lopes, Alexandre Callari, from Pipoca e Nanquim and Wagner Willian, from Texugo. About them, I analyzed the profiles of each one in the market and the performance in the editorial process of a comic book. The contextualization of the publishers' historical trajectory allowed us to point out the development of the comics market in Brazil, passing through those that contributed to the insertion of the niche in the country until the present day. The bibliographies that supported the study of comics in Brazil were from researchers such as Álvaro de Moya, Moacy Cirne, Sonia Luyten, Waldomiro Vergueiro, Paulo Ramos, Nobu Chinen, Antonio Cagnin, José Marques de Melo. To understand the discussion about the concept and language of comics, the authors researched were Barbara Postema, Will Eisner, Scott McCloud and Thierry Groensteen. Regarding the editing field, I sought to establish a dialogue with the ninth art through the discussions exposed by Ana Elisa Ribeiro, José Muniz Jr, Gérard Genette and Roger Chartier. The analysis of the interviews was a fundamental step to answer the central question: how the editor can define the performance of the publisher and its placement in the market, considering the choices they make throughout the project until the results that the publications launched have achieved. Finally, the theoretical reflection on editing and comics helped to understand the processes that involve a comic book publication in the book market. The analysis of the interviews pointed out the elements of the professional's performance and their role within the editorial process that contribute to outlining the publication and placement of the publisher in the book market.

BANKING MEMBERS:
Externa à Instituição - ANTONIA CRISTINA DE ALENCAR PIRES
Externo à Instituição - NATHAN MATOS MAGALHÃES
Externo à Instituição - IVANDRO PINTO DE MENEZES
Interna - OLGA VALESKA SOARES COELHO
Interno - VICENTE AGUIMAR PARREIRAS