DISCOURSE ANALYSIS OF NARRATIVES OF THE SELF BY ELKE MARAVILHA: Memory and Media
Voice, Spectacularization of the Body, Interdiscourse, Ethos, Socio-discourse imaginaries, Television media, Memory, Elke Maravilha
This research aims to reflect on how discourses build effects of plural meanings in the self-narrative of artist Elke Maravilha, having the body as a place of expression of speech and power in different social channels. Having an analytical position of the objective, that consists in the mixes of the language and historic which sets the production of effects in the way how she used to dress up, using imagination to manifest her ideas and concepts during her career to represent the experiences faced in her life in the years of 70s, 80s and 90s. And verbal and non-verbal extracts. Our search seeks to identify how that projection of images of herself, both dimension of clothing and verbal enunciative functioning, reflected on, the positions and engagements of the artist. We are also taking in consideration narratives speeches of Elke through the analysis of discourse, interdiscourse and media televisual memory. The guiding of this study is based on the ideas and conceptions of several theorists, namely: Bakhtin 2004 [1929], 2010a [1963], 2010b [1965], and 2018 [1979]; Guy Debord (1997); José Martín-Barbero (2015); Leonor Arfuch (1995; 2010); Malcolm Barnard (2003); Roland Barthes (2009); Patrick Charaudeau (1999; 2006; 2017); Maingueneu (1997; 2011); Amossy (2005); Benveniste (1989); Ducrot (2020) [1984]; between others.