Banca de QUALIFICAÇÃO: ANDREIA SHIRLEY TACIANA DE OLIVEIRA

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
STUDENT : ANDREIA SHIRLEY TACIANA DE OLIVEIRA
DATE: 14/12/2021
TIME: 14:30
LOCAL: Plataforma Microsoft Teams
TITLE:

THE CONCEPT OF (RE)READING IN THE POETIC WORK OF ÁLVARO ANDRADE GARCIA

KEY WORDS:

Book; Digital Literature; Reading; Rereading; Alvaro Andrade Garcia.

PAGES: 131
BIG AREA: Lingüística, Letras e Artes
AREA: Letras
SUMMARY:

Currently, the book has become just one of the supports of literary art, one of its possible horizons, as shown by Hayles (2009). The notion of book expanded and, from the old cultural guerrilla with massive media such as television, digital culture promoted a more effective adhesion of screens as supports for writing and reading. Based on these practices, it can be said that, not very peacefully, literature has admitted the transit between the verbal and the non-verbal, just as in the context of digital poetics, animation and sound are incorporated into the creative language. In this thesis, considering the printed and digital works of Álvaro Andrade Garcia, it is intended to discuss the impact of these technological writings on the reading processes, as well as to understand how the rereading work has become a creative strategy for the author. To develop it, we carried out a study on the reconfigurations of books and reading in the context of the transformations in communication technologies driven by the digital. When reflecting on the author's poetic production, we seek to analyze the relationship between his printed and digital works, through which we realize that rereading is one of the strategies for composing his digital versions. In this sense, there is an important dialogue about the creation processes, as the text destined for the printed book is appropriated and recombined in new textual textures, constituting a form of permanent rereading and rewriting of the work itself. Rereading is, therefore, also a way of translating the media's impositions, expressing the critical and aesthetic awareness of the poem's languages. Reading, in this technological context, means more than translating the perceptions of the world that the literary text offers us. It also means apprehending the languages of this sign writing established by the digital, through which the reader or interactor intuits the world provided by the poet. It is a reading against the grain of languages and enjoying the flow of languages. This perception is evident throughout this study, in which issues relating to the structure and authorship of the text and the use of the Managana software in the remediation processes of their books from print to digital were also analyzed. In addition to reading Álvaro Andrade Garcia's own texts, we discuss the issues of books and reading with the support of theoretical references by Michel Melot (2012), Roger Chartier (1996, 1999, 2004, 2006, 2008, 2010), Umberto Eco (1994, 1996, 2005, 2008), Robert Scholes (1989), as well as, for outlining the digital and the semiotic implications of reading, texts by Pedro Barbosa (1996, 2012), Lucia Santaella (2001), Alckmar Luiz dos Santos (2003), Rui Torres (2004), Marjorie Perloff (2013), Katherine Hayles (2009), Henry Jenkis (2013) and Bolter and Grusin (2000). The thesis has the central objective of discussing the reading/rereading process from the processes observed in Garcia's own work, however, it is possible to contribute with this analysis to a reflection on digital reading, as well as to the problematization of the book in this context.

BANKING MEMBERS:
Presidente - ROGERIO BARBOSA DA SILVA
Interna - ANA ELISA FERREIRA RIBEIRO
Externo à Instituição - MIGUEL RETTENMAIER DA SILVA - UPF