THE ESGAR OF THE NAKED SKULL: the construction of the body image in Hilda Hilst and Iberê Camargo.
Iberê Camargo; Hilda Hilst; Body; Intermidiality; Intersemiotic Translation.
This thesis deals with the body image's construction in the Iberê Camargo's paintings, produced between the years of 1980 until 1994, the year of his death, and in the Hilda Hilst's book Fluxo-floema. Studying this way, the creative process based on the relationship between verbal and non-verbal languages, in the context of poetic dialogues between literature and the visual arts, under the light of Intermidiality and Intersemiotic Translation.
I identified correspondences between Iberê Camargo's paintings and Hilda Hilst Hilst's book on the representativeness of the body, p resented under the aesthetics of the fragment, the grotesque and the abject in the work of these two artists.
Finally, as a supplement to the analyzes presented here, I developed a pictorial series composed of paintings, drawings, prints, photographs, performance, animations and video. Demonstrating in practice, the re-creation and the intermiditic transposition between languages of different codes.