Banca de DEFESA: ROSANE VICENTINA GOULART BELTRAO

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : ROSANE VICENTINA GOULART BELTRAO
DATA : 19/03/2019
HORA: 14:00
LOCAL: Sala 330 do Campus I
TÍTULO:

CORREIO FEMININO - The reconstruction of the enunciation scene of the feminine discourse in the journalistic writing of Clarice Lispector

PALAVRAS-CHAVES:

Discourse analysus, female column, scenography, discursive genres, ethos.

PÁGINAS: 59
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
RESUMO:

In this doctoral dissertation, the central objective is to investigate Clarice Lispector's enunciation as a press professional, in order to unveil the reconstruction of the enunciative scene and the discursive ethos in the book Correio Feminino, a work that, published posthumously in 2006, gathers part of her production for female columns, in the 50s and 60s, in different newspapers.This objective is linked to two central issues that guided the research. The first one came up from the interest to know how the construction of the enunciative scene and of the discursive ethos in the texts that integrate this journalistic production of Clarice Lispector. Based on Maingueneau's theoretical-methodological assumptions (1995, 2001, 2004a, 2008b, 2014, 2015) and adopting his conception that gender as a discursive practice should be approached as a socially agreed ritual and subject to criteria of success, I tried to analyze the feminine column from the observation of the relation between generic scene and scenography, to answer, the first questioning. The second question relates to the book Correio Feminino and to the hypothesis that there would be the creation of another scene of works whose nucleus is the book and its editing process, more specifically the work done by the organizer of the book and the designer responsible for the graphic design of the book. Thus, considering (i) that this book does not constitute a mere reproduction of the newspaper texts as other books that shelter a collection of this type of texts, and (ii) that the rescue of this production happens through a process of mediation occurred by the publication of this work, allowing the text to become a book and proposes itself as such to the reader, the question arose of how, in this activity, a new enunciative scene is constructed - a hypothesis that guided this investigation. In search of the answers to such questions, besides the Maingueneau theory, a theoretical apparatus about the literature related to the book and its edition became necessary. To that end, we have brought, for our discussion, theorists such as Chartier (2014, 2002, 1999, 1996), Hendel (2005), Gruszynski (2008), Genette (2009), among others. The work of Aparecida Maria Nunes, who researched the activities of Clarice Lispector as a reporter and interviewer, as a chronicler and columnist, since the 1980s, has been of great importance, so that, in the course of research, it was possible to answer to several questions and conclude the objectives of this research, confirming the hypothesis that guided this research: in Correio Feminino, through the articulation of other voices - of the organizer and the designer responsible for the graphic design, ensure that the construction of a new scene of enunciation, as well as of the ethos - the specialist of the work of Lispector - that participates of it, to fulfill the purpose of this work: to offer the reader of Clarice Lispector another Clarice Lispector - the female journalist.

MEMBROS DA BANCA:
Presidente - ANA MARIA NÁPOLES VILLELA - CEFET-MG
Externo à Instituição - APARECIDA MARIA NUNES - UNIFAL-MG
Externo ao Programa - JOSE DE SOUZA MUNIZ JUNIOR
Interno - LILIAN APARECIDA ARAO
Externo à Instituição - RENATO DE MELLO - UFMG