ESCRITURAS HÍBRIDAS: PONTOS DE MIRA E TIROS PELA CULATRA
A dicção poética de Laís Corrêa de Araújo e suas confluências
Laís Corrêa de Araújo. Creative process. Poetic language. Hybridism
In this paper, we aim to study the mode of configuration of the poetic writing of Laís Corrêa de Araújo (1928-2006), taking into account the processes and procedures created by the writer in confluence with the demands of the media and new technologies. The corpus will be the poems published in the author’s first book, Caderno de poesia (1951) until the last, Geriátrico (2002). In order to better understand the creative process of these compositions, we consider not only the text itself, but the elements related to the production circuit, circulation and reception of the poems, allied to the materiality of the means in which they are configured. Thus, the development of the research is structured on the main poetic axes of Araújo’s diction: its relationship with the present and the resonances of his personal and professional experiences in his creative process, the implications of the critical recognition of his work, the selection of his own poetic and political strategies, as well as the dialogue with the multiple voices and the communicative techniques that engender them, seeking to articulate discussions about how these manifestations evolve in the course of their poetic production. In our analysis, we identified that there is, in Araújo’s poetry, a potential existence of rhizomatic and hypertextual practices. In consideration of the vocation of this poetry to the digital, we present a project of poetic experimentation in an electronic context, in order to dialogue with the theoretical scope developed in this thesis, in an attempt to enrich academic research.