Banca de DEFESA: ALINE MARA DE ALMEIDA ROCHA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : ALINE MARA DE ALMEIDA ROCHA
DATE: 22/12/2022
TIME: 14:00
LOCAL: RNP VIRTUAL
TITLE:

THE DISCURSIVE REPRESENTATION OF WOMEN IN SONGS WRITTEN BY FEMALES: a semiolinguistic analysis of socio-discursive imaginaries (1970-2020)

KEY WORDS:

Women compositors, discourse, imaginaries, brasilian music.

PAGES: 179
BIG AREA: Lingüística, Letras e Artes
AREA: Lingüística
SUBÁREA: Teoria e Análise Lingüística
SUMMARY:

The purpose of this paper is to understand how socio-discursive imaginaries are constructed in songs written by women, considering mainly the ways of organizing discourse, present in Patrick Charaudeau's semiolinguistic theory. The relevance of this theme is consequential to the limitations imposed on women's participation as composers by the phonographic industry. In addition to being silenced and erased from historiography until the 1940s, women are almost always associated with lyrical-loving productions, which makes it seem that their interests are restricted to this area. In order to understand the production conditions of this discursive set, we resorted to the contributions of feminist analysis, supported by the studies of Del Priore (2021), Saffioti, as well as the studies of Stuart Hall (2016) on representation, discourse and identity. Other references in the reviewal of Brazilian music, especially on the condition of women in the musical context, complete the essential list for understanding music as a sociocultural phenomenon, as are the cases of Santa Cruz (1992), Murgel (2017), Pillar, among others. To choose the composers, it was used the criteria contained in the MPB Mulher catalog (2006): a) originality and aesthetic quality; b) size and extent of production; c) permanence in the market; d) historical relevance. Due to the limitation of the period covered by the catalogue, with a single edition published in 2006, the criterion of nomination or award at the Latin Grammy was added for composers presented after that period. For analysis, songs produced between the 1970s and 2020s were selected, which deal with themes related to the body, love, human and socioeconomic relationships and are written only by the female enunciators. Thus, it was observed that even in compositions with lyrical-loving themes, linguistic-discursive strategies in the re-elaboration of social imaginaries are noticeable, which can raise those themes to a political level of discussion, in which women can be the subject of their claims and subjectivities.

BANKING MEMBERS:
Interna - GIANI DAVID SILVA
Presidente - LILIAN APARECIDA ARAO
Interno - LUIZ ANTONIO RIBEIRO
Externa à Instituição - MARIANA RAMALHO PROCÓPIO XAVIER - UFV
Externa à Instituição - MÁRCIA FONSECA AMORIM - UFLA
Externo ao Programa - THIAGO CAZARIM DA SILVA