Banca de DEFESA: MICHEL MONTANDON DE OLIVEIRA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : MICHEL MONTANDON DE OLIVEIRA
DATE: 09/10/2023
TIME: 15:00
LOCAL: VIRTUAL
TITLE:

Redesigning dispositifs, creating meanings: Group Cinema and Care Practices with basic education teachers from the perspective of multiliteracies

KEY WORDS:

Multiliteracies. Group Cinema and Caring Practices. Basic education. Apparatus design. Meaning-making.

PAGES: 166
BIG AREA: Lingüística, Letras e Artes
AREA: Letras
SUMMARY:

The Kumã laboratory is a research, teaching and extension project linked to the Cinema and Video graduation department at the Universidade Federal Fluminense - UFF. During the most severe periods of the Covid-19 pandemic, the Kumã laboratory developed, online, with basic education teachers and undergraduate students, the Group Cinema and Care Practices, a process of creation and experimentation of languages based on ethical, aesthetic and political aspects of cinema (CID et al., 2022, MIGLIORIN et al., 2016; MIGLIORIN, 2014, 2015). The objective of this PhD thesis is to research the experimentations of Group Cinema and Caring Practices, together with basic education teachers and undergraduate students, in order to identify and describe the processes of design, designing and redesigning creative devices from the perspective of multiliteracies. The theoretical discussion proposes intersecting modes between the concepts of multi-literacies and dispositifs (FAIRCLOUGH, 1995, 2001). Multiliteracies concern the proposals of transformations and readjustments in the ways of teaching and learning languages, languages and their technologies in face of technological, social and cultural changes of contemporaneity, taking into account issues such as cultural and linguistic diversity (COPE; KALANTZIS, 2000; BUZATO, 2009; MILLS, 2010; ROJO, 2012, 2020; PINHEIRO, 2016; BNCC, 2018, 2019; RIBEIRO, 2020; KALANTZIS; COPE; PINHEIRO, 2020). The concept of device, on its turn, reflects on the order of discourses, in its enunciative, material, and subjective dimensions (FOUCAULT, 2012; AGAMBEN, 2005; DELEUZE, 1996). The methodology elects exploratory research (GIL, 2020), with data generation conducted throughout 2022 through focus groups (LAGUARDIA et al., 2007; RESSEL et al., 2008; BACKES et al., 2011) and direct participant observation (YIN, 2001; DÖRNYEI 2007; MÓNICO et al., 2017). The discussions describe and analyze the processes of design, designing, and redesign in the Lumière minute, narrated photography, haikai film, and letter-film apparatus; the ways in which these processes stimulate the modulation of different semiotics – oral, written, audiovisual, gestural, and spatial – and how the mediation of cultural and linguistic diversities takes place in the observed groups. The conclusions indicate that the meaning-making provided by the experimentation with different semioses, in a collective, collaborative and unidentified way, fostered, in basic education teachers and undergraduate students who participated in the Group Cinema and Care Practices, relevant processes of resignification of teaching practice.

COMMITTEE MEMBERS:
Externo à Instituição - DOUGLAS MOSAR MORAIS RESENDE
Presidente - ANA ELISA FERREIRA RIBEIRO
Interna - MIRIAN SOUSA ALVES
Externa à Instituição - MÁRCIA RODRIGUES DE SOUZA MENDONÇA
Interno - WAGNER JOSE MOREIRA